Print | A A A | Report a bug | 34 648 296 charts | 69448 photos | 900 video | 115 audio | 2265 towns

 

 
 

News

2010-09-29

Dancing on the graves

Ilustracja

Dance in Auschwitz   

89-year-old Adam Kohn made a real splash dancing with his daughter and grandchildren to the all-time hit “I will survive” on the territories of former ghettos and extermination camps. A video , put on the Internet, has been watched by almost half a million people.

Adam Kohn comes from Poland. He was born and raised in the city of Łódź. In 1940 he got to the Łódź ghetto, after which he was sent to the Auschwitz concentration camp and a labor camp in Czechoslovakia. After the war Kohn returned to his motherland for a while and then went to Australia. The performance was organized on the territories of Łódź and Cracow ghettos as well as Auschwitz, Terezin, Dachau and Radagast camps. It was initiated by Kohn’s daughter who encouraged her father to dance and put the video on the Internet. She explains that the film is a manifestation of joy connected with her father’s Holocaust survival and the birth of a new generation of Jews. However, opinions concerning the clip are different. Some survivors say that Kohn has trivialized the Shoah. Moreover, they believe that one should not dance on the earth where murdered people rest.

The debate has revealed several serious problems. Firstly, the Holocaust has become a part of popular culture. Now the discourse concerning this subject is changing. A reflection on the sufferings of murdered people has been replaced by the cult of those who survived. Shevah Weiss, a former ambassador of Israel in Poland, said that he did not like such a philosophy of victory. During the war Jews did not win anything. However, is not survival a victory in a way? The question raises another difficult issue. After the war the survivors wondered if it was possible to enjoy their daily routine when so many people had died. They felt guilty. Now, looking at their grandchildren, they are able to appreciate the gift of life and feel happy about bringing up new generations. Dancing in Auschwitz helped Kohn release himself from pangs of conscience. He does not want to feel sorry for being alive anymore. Should we really condemn him for that?

 

Archive